The Choir Invisible, presents a highly anticipated debut album on Intakt Records. With Charlotte Greve, Vinnie Sperrazza and Chris Tordini, this trio, oscillating between improvisation and composition, brings together three significant voices from Brooklyn's creative music scene. "The Choir Invisible not only does everyone have equal rights, they also have equal responsibilities, as accompanists and soloists. All three are both melody and sound. The trio began playing without discussing anything at first. Over time all three then brought compositions along, which allowed them to strike varying paths and led to some highly distinctive tracks. No endless, boundless improvisations; instead a symbiosis of spontaneous currents and the urge for structure. The Choir Invisible might nicely describe the potential of a band which, with three instruments, manages to envisage enormous diversity, and much that is not spoken or played can be imagined or heard in our inner ear. In the far dimensions of the trio shines the polyphony of a choir. Euphoric yet rooted in daily life," writes Bert Noglik in the liner notes.
Charlotte Greve: Saxophone
Chris Tordini: Bass
Vinnie Sperrazza: Drums
All music by Charlotte Greve, Vinnie Sperrazza, Chris Tordini. Recorded on April 26, 2018, by Michael Brorbry at Brooklyn Recording. Mixed September 2018 by Nathaniel Morgan at Buckminster Palace. Mastered February 2019 by Eivind Opsvik at Greenwood Underground Studio. Cover art and graphic design: Jonas Schoder. Liner notes: Bert Noglik. Photo: Luke Marantz. Produced by Charlotte Greve, Vinnie Sperrazza, Chris Tordini and Intakt Records, Patrik Landolt, Anja Illmaier, Florian Keller. Published by Intakt Records, P. O. Box, 8024 Zürich, Switzerland.
supported by 18 fans who also own “The Choir Invisible”
This music has everything I need: acoustic instruments, a slow build, layers of atypical harmonies and rhythms being added each pass through, subtle melodies and combinations. Excellent work! Little James
supported by 16 fans who also own “The Choir Invisible”
Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend. rat